Since the new year there have been a lot of great shows on the telly . . . whether they’re Netflix Originals or BBC dramas, there’s no denying we’ve all been entertained since January.
I’ve been meaning to write this post for months now, but I have been concentrating on my creative writing recently so the blog has been on the back burner. However, I want to get back into regular blogging and share with you some of the programmes I’ve thoroughly enjoyed and think you will, too.
This is a beautifully written and passionately acted Netflix Original about a girl who returns to her parents 7 years after going missing. The intriguing thing about Prairie Johnson’s return is that she has somehow regained her sight, having been blind from a young age.
Despite questions from the police and her parents, Prairie refuses to discuss how her sight became restored or what happened to her during the 7 years she was gone. What they don’t realise is that Prairie does want to tell her story, but only to a certain chosen few. Five local people, mostly high school students and each living their own anguished lives, meet with Prairie – who now refers to herself as The OA – every night to listen to her amazing and emotional tale.
I was sucked right into this show from the get go. It’s slow moving, but with so much depth and intrigue it keeps you gripped and constantly guessing as to what exactly is going on. The acting is incredible, with the writer Brit Marling taking on the role of OA, one, which is obvious from the very beginning, that she is completely invested in. OA is a complex and ethereal character that only creator Marling could bring to life.
As with any show, you know that you’ll reach an explosive – and hopefully satisfying – series finale, but I was completely blown away with The OA’s climax. It initially seemed that it had came completely out of left field, but I believe that it was always heading that way, OA and the five just didn’t realise it.
I cried uncontrollably at the end and have watched the final scene many times on YouTube, it’s incredibly powerful and moving.
If you’ve scrolled past this show on Netflix, unsure if you should devote any of your time to it, do me a favour and give it a shot. But have your hankies at the ready.
It’s been two years since the 1st season of this exciting drama aired on Channel 4 and I had been waiting impatiently for season 2, but it was worth the wait.
The show follows the Friday Street police station and it’s unconventional detectives, particularly DC Dinah Kowalska, DS Joy Freers and, their boss, Detective Inspector Viv Deering.
Season 1 focused on the team trying to solve the murders of girls with Down’s syndrome, and was a great introduction to the predominantly female cast. DI Deering and her gang of gutsy girls are a force to be reckoned with and leave you punching the air at their awesome show of girl power.
The shocking twist at the end of Season 1 caught me totally off guard, but left me wanting more and Season 2 delivered. This time the detectives have to investigate a Manchester crime boss called Nora Attah, and with more twists and turns than a roller coaster you’re never quite sure if Nora is fully aware of the atrocities taking place within her criminal world, until the very end.
The writing and acting on this show is impeccable, and although the subject matters are very serious, the show isn’t afraid to pull out a few laughs and poke fun at its characters.
If you like police shows that are a wee bit different, then check out No Offence and let me know what you think.
You may all be very familiar with the case of 9 year old Shannon Matthews who dissappeared for 24 days in 2008. She was last seen outside of her school at the end of the school day, but didn’t make it home.
After a huge manhunt and lots of publicity, Shannon was found concealed under the bed in a flat owned by Michael Donovan – the uncle of Shannon’s mothers boyfriend. It later transpired that Michael and Shannon’s mother, Karen Matthews, had orchestrated the whole thing hoping to pocket thousands of pounds generated from the publicity of Shannon’s “kidnap”.
The nation was shocked and disgusted by this so-called Mother’s actions, but no more than the community where the family lived.
This BBC drama tells the story of Shannon from the point of view of all Karen Matthew’s friends and neighbours, who all rallied together to find the little girl. They searched the streets, they comforted Karen, they campaigned publicly – never wanting the country to forget poor Shannon . . . their lives revolved around Shannon Matthews and reuniting her with her poor mother, and then they had to face the sickening realisation that they had been duped.
I found this show very interesting and we’ll executed. With most true crime programmes, the focus is mainly the victim and criminal, with very little detail on those close to the people involved. The Moorside not only featured the community’s tenacious spirit in helping others, but also the fallout in being deceived so cruelly, with one couples’ marriage falling apart thanks to Karen’s lies.
It shows the ripple effect ones actions can have and how there can be no coming back from it.
Keep smiling x